Feet in the Clouds with Cami Galofre By Dave Jasmon Published Issue 100, April 2022 The Denver-based artist created “Macarenia” for Meow Wolf’s Convergence Station, a multidimensional landscape incorporating her love of magical realism. “What matters in life is not what happens to you, but what you remember and how you remember it.” – […]
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Fertility of Solitude By Graham Franciose Published Issue 100, April 2022 Graham Franciose grew up in the forests of Massachusetts. His work reaches back to those times of exploration and imagination, where anything was possible. His whimsical, sometimes emotional, illustrations show a sliver of a story, a moment between the action, leaving the exact circumstances
The Old Gods By Maggie D. Fedorov Art by Dylan Fowler Published Issue 100, April 2022 “LOOK MAMA, THERE IT IS; SHE’S WAKING UP!” she cries, infused with as much wonder as I’ve ever seen in a child of four. A smile unfurls as I laugh lightheartedly at the little flutter in my chest from
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Stay Asleep By Dave Danzara Published Issue 100, April 2022 Dave Danzara has spent most of his life creating art. Born and raised in California, Dave won a scholarship to Laguna Art Institute of Southern California in 1994. His influences can be found in pop culture, sci-fi, fantasy, film and music. Graphic design and digital
Lazy Lizard By Eric Joyner Published Issue 100, April 2022 I was born in San Mateo, a suburb of San Francisco. My childhood was fairly uneventful, doing the usual things most kids did, reading comics (mostly Mad, Creepy, Eerie and newspaper comic strips), playing sports, and going to school, as well as drawing and painting.
Published Issue 100, April 2022 Best of Birdy Originally Published Issue 015 The knock at the door comes at 2:30 a.m. I am alone and awake to greet it. I pad down the hall in soft socks and weak shadows, my shoulder blades twisting beneath my skin like insects trapped in a napkin. Charlie says
Hairwolf Craydar: Soul Miner’s Daughter By Nate Balding Art by Jason White Published Issue 100, April 2022 Once again spring comes tearing around the winter bend hauling the evergreen promise of renewal like Hasil Adkins brain-soaked with moonshine ripping divots in the backwoods Appalachian mud on a psychobilly drunk-drive. Not unlike the dead man survived by
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Last Day At Abbey Road By Mark Mothersbaugh Photo by Krysti Joméi Published Issue 100, April 2022 Originally Published at the Front Cover of May 2018’s Issue 053 Mark Mothersbaugh is one of this era’s most unique and prolific composers. Deeply aware of the ability of precise, multi-faceted artistic expression to deliver vital social commentary,
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We made it! One hundred issues, over eight years of publishing and nine years in the making. We made it through when we were told “print is dead,” through the hardships and struggles, the mimics and critics, the doubt and self-doubt, as an independent business run by artists in a corporate world. Through the triumphs, milestones and dreams realized. And
Pigeon Windowsill 898 By Kid Koala Published Issue 100, April 2022 Kid Koala has established himself as a respected performer, film composer, theatre producer and visual artist. His career began as a scratch DJ in 1994, rapidly growing a cult fan base due to his virtuosic skills. Ever innovating, he quickly evolved into combining turntables