ISSUE 150 FEATURES
Some sightings stay with you. Joe Vaux is one of them. From directing the animated sitcom Family Guy to creating imaginative, creature-filled paintings from his California home studio, Joeâs work lives somewhere between the familiar and the fantastical. Equal parts keen observer and art-scientist, Joe has carved out a creative life where humor, heart and a reverence for the wild intertwine, inviting us to step inside and take a closer look.
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Itâs the hottest day ever in LA, which is whack because itâs not even sunny out. Skyâs gray as a suit and the air smells like a trash fire. But itâs wetsuits in the bag, boards in the van, the music swells, and ⌠turntable scratch. Trafficâs frozen like an ice cube.
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I looked around the plain, ugly motel room and had an idea: âIt would be really cool to do a painting, something that might brighten the room up and that the maids wouldnât even notice.â I said it more as a joke, but Mike put his brush down and I could see his wheels turning.
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I didnât always used to be this way. You know ⌠hated by everyone. In a way, all of this âevilâ stuff has just given me a complex, really. Itâs like you do one thing wrong and they condemn you to hell. Oh well, at least the people listen to me here.
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VIDEO CAROUSEL ARTIST CREDITS:
Video collage by Jonny DeStefano | Featured artists: Peter Kornowski ⢠Ryane Rose ⢠Ray Young Chu ⢠Jack Estenssoro ⢠Mark Mothersbaugh ⢠Jorge Mascarenhas ⢠Derek Knierim ⢠Jash Tracey ⢠Jason White