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Chris walked in crimson, the goggles’ night vision painting the willow and aspen with a red and bloody brush. It was fall, the ground dry, and his steps would have been noisy but for the wind rasping the leaves, a wind that also brought him a rich breath of woodsmoke half a mile from its source. When he saw the windows, bright yellow in the infrared, as though the cabin’s log courses contained the devil’s own inferno, he crouched and considered the ground. 

The cabin stood in a meadow, uphill fifty yards from the edge of the wood. He could circle around to approach it from the north, but that direction lay the road, and even less cover. Probably it didn’t matter. It was dark, and few people were capable of reacting quickly to a determined attack. 

This Portland-based ecosurrealist’s work is a hybrid of eco-surrealism and dystopia that express a concern and anxiety for our time and the Earth’s future.

Diving into installation art as an artistic medium and thoughts from Meow Wolf artists — Laura Davidson, Lance Ryan McGoldrick and Sofia Howard — on how to get started.

Heron clambers onto the makeshift rail-cart and wedges himself between Gull and Crow. Hunched over, feet on the pedals, they aren’t able to force him off. Heron clings onto the frame.

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Video collage by Jonny DeStefano | Featured artists: Peter Kornowski • Ryane Rose • Ray Young Chu • Jack Estenssoro • Mark Mothersbaugh • Jorge Mascarenhas • Derek Knierim • Jash Tracey • Jason White

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Issue 034 Front Cover: Ray Young Chu, Dino Eraser Cut
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Issue 034 Front Cover: Ray Young Chu, Dino Eraser Cut