Out of the poisoned wastes in the east he drifted like a decrepit dirigible, a gasbag so bilious and vile the earth though wounded repelled his pustulent flesh. Upon him clung the remains of a survival suit that had obviously failed its purpose, unsurprising given the uncounted plumes of the catastrophically bombed and abandoned power plants belching their searing smoke across the continent, the cursed heirlooms of humanity’s outrageously heedless forebears.
That he had in some fashion died was unmistakable, given the shredded scraps that were all that remained of his legs; just as unmistakably, some demonic bargain kept his malignant being afloat, an inhuman intelligence puppeting his limbs for one last gruesome show.
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In my imagination, the last date I went on ended in humiliation when she referred to me as “a completely undateable waste of time” and said, “How could a loser like you think he deserves love?” In real life, I never went on such a date, because it only happened in my mind. The truth is, I am scared to death of dating again.
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Downstairs I pause, seeing Luke’s motionless body awash in moonlight. His wheelchair faces out to the back yard where it always does. He adored watching the birds flutter through the trees as a kid. It is my hope they bring him some amount of joy now. The moon hovers over us both. I’ve never seen it quite so large.
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The Ourang Medan was a Dutch freighter operating in the Straits of Malacca between Sumatra and Malaysia in the late 40s. In 1948, numerous ships working these same waters received a mysterious SOS signal: “All officers, including captain are dead. Lying in chartroom and bridge. Possibly whole crew dead.”
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Video collage by Jonny DeStefano | Featured artists: Peter Kornowski • Ryane Rose • Ray Young Chu • Jack Estenssoro • Mark Mothersbaugh • Jorge Mascarenhas • Derek Knierim • Jash Tracey • Jason White